Ok here I am for my monthly update. I know, it’s been a while. I’ve mostly been in the studio working on the Gemini Wolf album with Megan, as well as some studio stuff. I’ve also been shedding on classical composition skills studying with James Guglielimo. We’ve been working on the Gemini Wolf album since December, we’ve recorded strings, horns, percussion and lots of electronics from Megan and myself. So far it’s sounding quite different than Josiah. Just minutes ago we confirmed the album will be released around the third week of July, with a album release party at Johnny Brenda’s on July 18! As a I prepare to come out of my winter studio hibernation, I’ve got a few performances coming up you can read about. They’re within blocks and days of each other in March. The next couple of weeks we’ll be finishing up the Gemini Wolf album and I’m working on three or four Mikronesia recording projects that have been slowly evolving in three separate directions: a dubby beat album, grainy ambient soundscapes and an electronic deconstruction of a string quartet I wrote and the recorded version of Pangaea: Trinity Sun.
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Ok here I am for my monthly update. I know, it’s been a while. I’ve mostly been in the studio working on the Gemini Wolf album with Megan, as well as some studio stuff. I’ve also been shedding on classical composition skills studying with James Guglielimo.

We’ve been working on the Gemini Wolf album since December, we’ve recorded strings, horns, percussion and lots of electronics from Megan and myself. So far it’s sounding quite different than Josiah. Just minutes ago we confirmed the album will be released around the third week of July, with a album release party at Johnny Brenda’s on July 18!

As a I prepare to come out of my winter studio hibernation, I’ve got a few performances coming up you can read about. They’re within blocks and days of each other in March.

The next couple of weeks we’ll be finishing up the Gemini Wolf album and I’m working on three or four Mikronesia recording projects that have been slowly evolving in three separate directions: a dubby beat album, grainy ambient soundscapes and an electronic deconstruction of a string quartet I wrote and the recorded version of Pangaea: Trinity Sun.